Assignment 1

//JADA

The first assignment was to create an outfit for the talented singer, Jada.

We were asked to interpret the song "Don’t Say My Name and Forget It Again," which is about receiving and giving the respect you deserve - regardless of how you look or dress. The parameters of ‘sexy, slutty, and fun’ had to be incorporated.

My approach was to design a respectful outfit that conveys both empowerment and its counterpart: a fragile and vulnerable side ⚖️

First and foremost, I drew inspiration from vintage military jackets and trench coats, which to me exude authority and presence! As a contrast, I wanted to make the top sexy in a delicate way, aligning with my design universe by featuring an open back. The cords symbolize being caught between control and losing control, adding a playful element where you can "buckle up" 💥🥊
To represent the feminine and fragile side, I knitted sleeves/gloves with glitter, featuring a pointelle pattern that reflects my rustic DNA. Jada’s name is also incorporated, inspired by the song’s title 🌙

As a designer, I’m always conscious of the choices I make. My goal was to use leftover materials to breathe new life into them - achieved here through deadstock fabrics ♻️

Assignment 2

//Movia

We were tasked with creating our individual take on a uniform for Movia's ticket inspectors 🚌

The uniform needed to be suitable for a diverse group of people, spanning different ages, genders, and, most importantly, body types. From a design perspective, I aimed to maintain a timeless and subtle aesthetic that wouldn’t stand out too much in the streetscape. This aligns with Movia’s desire for inspectors to meet citizens on equal footing. A clean design allows inspectors to blend into the crowd and perform their duties without being easily identified from a distance🔦

For this project, functionality was my main focus. I incorporated pockets and straps tailored precisely to the equipment inspectors use throughout their workday. Additionally, I included adjustable features to make the uniform adaptable for individual users.

Movia’s inspectors carry heavy equipment daily, and one of the key challenges is the placement of the camera, which was previously mounted on the side, causing uneven weight distribution. If an inspector wanted to open their jacket, the camera would shift and no longer capture the necessary footage to ensure workplace safety. To address this, I integrated a panel that stabilizes the camera. This allows inspectors to unzip their jackets for ventilation while maintaining optimal posture and functionality of the camera.

For the jacket, I chose a blue-gray tone to soften the appearance and make inspectors seem less authoritative ✌🏼

In terms of materials, I prioritized durability and practicality: the jacket is water-resistant, the trousers are made from heavy-duty fabric, and the shirt underneath is crafted from breathable viscose. All materials used are deadstock♻️

Assignment 3

//RED CROSS

"Protection of Human Dignity" — this is the motto of the Red Cross, and it serves as the focal point for my outfit in this assignment.

It’s alarming to realize just how much clothing is discarded or donated to the Red Cross each year - a staggering 10,000 tons! This is a stark reminder of the overconsumption we face as a society, a problem that only grows when looking at the rest of the world 🌍

The aim of this task is to breathe new life into discarded clothing. The judges want to see each designer’s distinct style reflected in the creations. My outfit, therefore, must showcase my personal design DNA, staying unshaken by the previous forms and functions of the clothing - a challenge that is incredibly hard to overcome! 🫣

First, I decided to dye the denim and some purple bedsheets to achieve uniformity, as I was working with five differently colored pairs of jeans 👖

While fabric dyeing is often seen as environmentally taxing due to its high water, chemical, and energy consumption, I chose to dye the materials because the textiles I used in my final design were destined for disposal regardless. By dyeing them, I hope to extend their lifespan and create value for years to come. If I had more time, exploring alternative, less resource-intensive dyeing methods could have been fascinating.

For the jeans, I utilized the existing side seams and moved them to the front to create the illusion of a crease, referencing a classic tailoring detail. I find it particularly exciting to balance the classical with innovative approaches while incorporating rustic elements ⚖️

The inner top is a remodulation of a shirt, where I preserved the curved line of the sleeve cap at the bottom. The outer jacket is designed with asymmetry in mind, aiming to strike a balance that contributes to a harmonious expression. I love experimenting with details that catch the eye and, at times, spark curiosity. On the back, I embroidered "Tutela dignitatis humanae," the Latin translation of the Red Cross’ motto, with excess threads adding to the imperfect/perfect aesthetic 🤍

It’s also worth mentioning how amazing it is that our creations will be up for auction during next year’s edition of Danmarks Indsamling! 💸

Assignment 4

//RED CARPET

Sculptural and artistic - these were the first two keywords I noted for this task 🗒️

My goal was to design an asymmetrical gown in constant balance. It sounds simple and elegant, but the reality was much more complex. Less is more can work beautifully when executed well; however, creating a gown of this caliber required time and deep thought. I aimed to encapsulate elegance, empowerment, and sensuality in this design—nothing less would suffice in this context!

For red-carpet events, gowns are documented from every angle, with countless photos being taken. With this in mind, I wanted the gown to offer something new no matter which side it’s viewed from. I approached the silhouette innovatively, incorporating a draped train that creates varied lengths and adds to the gown’s sculptural qualities 💫

The choice of material required careful thought and numerous tests. I fell in love with a deadstock fabric that had a beautiful color and sheen, perfect for a gala. However, the challenge was that the fabric was too thin to hold a sculptural shape. This led me into a long process of laminating the outer fabric with other materials to achieve the right structure without making it feel paper-like. After countless trials and some excellent guidance, I found the solution: laminating the outer fabric with a sturdy silk. Additionally, I sewed seven corset boning strips into the hip area of the train to achieve the desired silhouette ✨

To incorporate my signature rustic element, I dampened strips of silk taffeta and sewed them onto the bodice. This detail adds a touch of artistic imperfection/perfection to the gown 🤍

Collab with Boozt

//Final

OUTFIT 1

For the final collection, I aimed to create a dress with an intriguing silhouette that would captivate the eye! The dress features dropped shoulders paired with raglan sleeves, drawing attention to the broad shoulders and evoking a sense of empowerment.

The cuffs have been given added height, enhanced with a simple yet elegant detail - a slit - that provides functionality. Through the use of seam lines and pleats at the waist on the back, the dress creates a flattering optical illusion of an hourglass figure. The collar is clean and minimalist in its design, tying back to classic elements. Along the seam lines toward the side panels, piping in the same material as the dress has been incorporated. Two separate bands run through the front panel, into the sleeve, and finally into the back panel. These bands hang loosely below the hemline, adding a sense of movement and dynamic appeal 🪡